There’s something so comforting about
the colour ‘orange’ – well, actually ‘yellow’ when talking about NV Veuve
Clicquot Champagne Brut. So recognisable
is it that they’ve registered it to protect its use. As soon as the ‘Yellow Label’ appears, it
signifies an occasion. Here, it did too. This bottle on this occasion was absolutely
correct, but a little less autolytic and somewhat softer than what SWMBO and I
are familiar with. Maybe uner the LVMH
banner, it has grown too much and bottles acquired ‘sur lattes’ not quite
there? But that’s looking pretty hard at
it. The bubbles went down well and set
the mood for the night.
Even though Van Volxem is ‘out there’,
one comes to expect Roman Niewodniscanski’s bold Saar style to
deliver quality, and he has done so with greater consistency. SWMBO particularly enjoyed the base-line 2010
Van Volxem Saar Riesling, 12.0% alc., in wonderful proportion and style. A touch reduced at first, but clearing up to
show purity and growing sweetness with poise.
Ah, Riesling heaven, and one that shows why this vintage is getting rave
press.
Oakiness in Chardonnay is generally expected. What’s the saying: “No wood – no good”? You shouldn’t say that to the producers of
Chablis, but with Saint Clair, they’d lap it up. In fact, the 2011 Saint Clair ‘Omaka Reserve’
Chardonnay has U.S. oak used. As if
French oak wasn’t strong enough one might wonder? The American oak they use for this wine is
high quality and tight-grained. It
certainly adds richness and sweet nuttiness, certainly the vanilla, but tell-tale
coconut. Not on this showing, and with
such a young wine too. This clearly had
much to unfold, but that depth of ripe tropical fruits and sweet oak brought
smiles to our faces.
Te Mata is one of New Zealand’s true
stalwarts. While their three decade plus
history doesn’t match the century and more of Mission or near-century of
Babich, their name is just as well-known.
The ‘Coleraine’ is the star, but joining that status are ‘Elston’, and
now ‘Bullnose’ Syrah, the oldest vines around two decades of age. It’s a leader of its variety, even though it’s
not from the Gimblett Gravels. The 2006
Te Mata ‘Bullnose’ Syrah was intensely striking with its savoury and spicy
gamey black fruits and pepper, lifted with violets and bacon. Smooth, but luscious, making it a wine of
notice. “Look at me!” it said, and you
knew you were drinking cool-climate Syrah, modern New World style, and then
seeing Te Mata, it all fits in. You can’t
go wrong.
Yalumba never puts a foot wrong and the
2008 Yalumba FDR1A Barossa Cabernet Sauvignon/Shiraz fits in perfectly,
bridging the gap between ‘The Scribbler’ and ‘The Signature’. More seriously rich than the former, but more
accessible than the latter. And a silky
smoothness and texture that builds in weight, depth and power. The traditional Ocker Cab/Shiraz blend is
about as friendly and warming as can be, and this beauty slipped down a treat. Yalumba has never let us down, and we always
think of the congenial, sophisticated and very intelligent Robert Hill Smith,
and his team and agents throughout the world, whenever and wherever we drink a
Yalumba wine – this time in the Shaken City.
Our faith in these familiar labels has
never let us down, as with these wines.