Tuesday, December 12, 2017

We'll Go For Elegance

Is the taste of wine influenced by your surroundings?  Of course it is.  If you are in a beautiful place, with good company and there is delicious food around, the wine you’re sipping on must be predisposed to be good.  However, most people will also know in their heart of hearts that a wine isn’t great.
When we opened the 2014 Robert Weil Kiedrich Turmberg Riesling Trocken, it wouldn’t dare be anything but stunning.  There we were, in a sumptuously fitted-out house, amidst a hillside vineyard on a crackingly clear and serene evening, after a fun-filled day, chilling out with the Prophet-Man, who was humourously espousing his views on life, with the promise of a home-cooked meal in sight – life could hardly be better.

The wine opened beautifully, with a pale colour, and then a wonderfully balanced bouquet.  Lime fruit, white florals, a suggestion of honeysuckle, and refined minerality.  On palate, sheer elegance, dry to taste, but rich in fruitiness.  Who would guess it is 13.0% alc.?  The mouthfeel with beautiful poise, mouth-wateringly fresh, but in such a stylish way.  This classical Rheingau trocken at its best.


Robert Weil is a younger estate in the region, but has a considerable 90 ha of vines.  But the Turmberg site is steep and has mature vines from 30-50 years old.  And it’s a monopole, owned by the Weils, now in their fourth generation of winegrowing.  Weill be happy to drink this wine, in any situation. 

Thursday, December 7, 2017

Big Bubbles

A big bottle can be quite intimidating.  One has to think of a suitable occasion to broach these wines in magnum or larger.  However, it’s never an issue when we get together for our regular gatherings at the A-Prentice residence.  She manages to have many good people turn up, and most are keen on good wine.
So SWMBO and I rocked up with an NV Champagne Gardet Brut Premier Cru.  The bottle was a generous gift from a significant wine retailer, The Pooler, who has been influential in the marketplace, but who felt that we had done the wine industry good, for being supportive of it.  The reality is, that like him, we just love good wine, and any service we offer stems from that love.
It was the start of the evening, on a balmy day, and as guests turned up, a cold and frothy Champagne was an ideal start.  Everything about the Gardet is pretty much classical.  Dry, but not austere.  Refreshing but with an ethereal richness.  Fruit character to burn, but stylish in presentation, and balanced by just the right amount of bready-yeasty autolysis.  And none of the savoury aldehydes that can put people off, or say “it needs food”.
The Gardet family have been growing Champagne from the late 19th century but moved to their base in Chigny-les-Roses village in the 1930s.  The ‘Brut Premier Cru’ is one of their ‘traditional’ wines, with 60% Pinot Noir and 40% Chardonnay from Hautvillers, so has the gravitas to make it a wine with good presence.  And so it was.

Strangely enough, we magnum bottle drained quickly, and we wished we had another…

Thursday, November 30, 2017

Big Grunter

It’s a bit irreverent, but SWMBO and I have called Grant Edmonds ‘Grunt’.  It’s also rather unfair, because he’s actually very articulate.  He is though, sparing with his words and his tone is very quiet.  However his winemaking is rather clever and articulate.  His and his wife Sue’s first own label ‘Redmetal Vineyards’ release was with the 1996 vintage.  Never one to mince words, it was all about Merlot, with anything else quite secondary.  I reckon he still has that tenet, but of course, time has mellowed him.  He’s accepting of Cabernet Franc and Syrah.  They are Hawke’s Bay classical varieties for sure.  Put forward Cabernet Sauvignon and Grant will grunt.  It just doesn’t ripen consistently to make it worthwhile having in the ground.  But he does use it, when it suits.
He gave me a pressie, way back when.  It was a magnum of his then flagship.  And at the A-Prentis party, we opened it – a 1996 Redmetal Vineyards ‘Basket Press’ Hawke’s Bay Merlot/Cabernet Sauvignon 1.5 L.  At 21 y.o., it was still on its maturity plateau.  Lovely ripe black plum and berried fruits, with just the right amount of savoury dried herb and earthy secondary development to give it a complex layering.  The fruit was still sweet, and the tannins sufficient in structure to give it the bones to keep on aging.  There was an underlying freshness, that indicated another decade of life was well within its capability – in magnum of course.  The Redmetal brand has had its ups and downs, due to the degree of attention lavished upon it, but it is returning to its former glory.  Grant will not be grunting much more.    

Tuesday, November 28, 2017

Modern Grunt

Our winemaking styles undergo a gradual creep as they evolve in this modern world.  It’s too easy not to go with changing goalposts, and be stuck in our rut.  But one must also be cautious not to whole-heartedly adopt new fashions and fads, as they fade away quickly, leaving you in an embarrassing place.
SWMBO and I were recently impressed with a 2012 Thierry Violot-Guillemard Pommard 1er Epenots.  Brought to dinner by the French Terry, this was a surprisingly modern interpretation of Pommard, an appellation best known for its sturdy, four-square wines.  The best Pommards have a richness which match the structure, so that they are not burly, but in essence, they still have an inelegant style to them.  They are among the bigger Cote de Beaune red wines, save those from Corton.  This modern Pommard had sweetly ripe fruit, and enough depth and fine concentration.  There was a degree of suppleness too.  Maybe a little difficult to see as the Pommard as we’ve come to expect, but better for it.  It was a more fresh and easier wine than the grunt of the past, and all the better for it.  Bring it on, I say. 

Monday, November 27, 2017

Back to the Future

There was a time that German wines were predominantly dry.  Then developed the sweeter tastes of the world and the pradikat system to categorise the richer wines based on sugar levels at picking.  And as things cycle, we are seeing a trend towards the drier styles again.  As a baby boomer, I regard the sweeter-fruity-acid wines as my norm, but I admit I’m becoming increasingly enamoured by the Grosses Gewachs wines which not only espouse dryness, but also site.  13.0% alcohol is quite manageable and seems to be in balance with the greater textures seen in these wines.  But in my heart, I still love to drink wines with Kabinett, Spatlese and Auslese on the labels.  Maybe I’ve been seduced by sugar, but the acidity in these wines provide balance, and the fruitiness is a delight.  You can drink these wines anytime.
One of SWMBO and my favourite producers is Clemens Busch in the Moselle.  His dry style bottlings are fabulous expressions of site, and the grey, blue and red slate soils are demonstrated clearly in his top wines.  But I’ve gone back to the future with Clemens Busch as well, as he has the old modern style wines made too.  My latest favourite sipper is the 2014 Clemens Busch Pundericher Marienburg Riesling Spatlese.  Like many of the 2014s, the wine has a firmness to it.  It still needs time to open up.  But as earlier vintages we’ve tasted, it surely will.  It already has gorgeous floral and citrus fruits, with distinct slatey minerality.  There’s great fruit extract, but crisp and tight acid to balance.  It just needs to show a little more honied richness, and then it will be gorgeous.  I’m salivating just thinking about it.  

Wednesday, November 15, 2017

Mature and Spicy

We love having the I-Spy Man around for dinner.  Sometimes he brings his young daughters.  I must admit we have an admiration for young people brought up well, as we are proud of our The Young One.  At a certain age, they have the maturity and confidence of an adult.  They have the subtlety of good humour, the gravitas of understanding the serious things in life, and often show a sense of spice at the right moment.  So it is with Hex-Bex, daughter of the I-Spy Man.  She has a lovely maturity, and is not yet in the prime of her life – but try telling her that!
It was a pleasure to share a bottle of Hex-Bex’s birth year.  The 1996 Martinborough Vineyard Martinborough Late Harvest Gewurztraminer was certainly fully mature.  But it was past its prime of life time, unlike Hex-Bex, but certainly still very enjoyable.  Deep golden orange colour.  Aromas and flavours of burnt honey, orange marmalade, barley sugar, caramel and toffee.  Lovely unctuousness, and now just beginning to dry a tad on the finish.  Did anyone detect any spice?  Maybe some ginger.  A decadent dessert wine, made from botrytised fruit, picked at 33.5 Brix, fermented to 11.0% alc. and 160 g/L RS.  Beerenauslese standard, and the last Gewurztraminer from this producer.  We were treated. 

Tuesday, November 14, 2017

A Flower for You

One of the best drinks to come our way was the Gonzalez Byass ‘Tio Pepe’ Fino En Rama Sherry.  SWMBO and I don’t drink a lot of Sherry, but when we do, we love it.  Sherry is the world’s forgotten great wine, and it’s a shame, because it offers so much diversity, interest, and pleasure, and truly is multi-faceted.  So when Gordy and Pia brought out this bottle, it brought a smile to our faces; it was like giving a bunch of flowers (which they did do, as well).
Essentially the ‘En Rama’ is Fino Sherry at its freshest and most pungent,  It’s bottled unfiltered and unclarified, and done so at the time when the flor is thickest.  It is Sherry at its most raw state, and strangely most delicate according to the makers, and they say it’s like drinking it directly from the cask.  For us, it was as they suggested the wine would be, but there was a density and good core to it.  Not really delicate, but with substance.  However, it retained stylishness, rather than elegance of finesse.  The pungent flor had a strong say, and yes, really pure in its expression.  At 15.0%  it’s a fine style of Sherry, but this is special with its depth of flavour and classiness.  This bottle from the eighth release, in 2017.