It
was a year ago that we began celebrating The Young One’s coming of age. Turning 21 is no mean feat, and aw shucks,
SWMBO and I are proud of the fella. His
JoLo aka The Youngette is a good girl too, and we like our time together. The passing of years has seen him do well,
and we’ve sampled and drank a number of bottles from his birth year. From a qualitative wine perspective, 1992
wasn’t that flash. We’ve been lucky with
the wines we’ve had, though a couple of the really big names have let us
down. Not so the Aussies. Sandwiched between the great 1990 and 1991,
and the rather good 1993, the wines from 1992 were always going to suffer. But on their own, they still look good.
On
this dinner, we had much to ‘muse’ about, on how we had all progressed in the
passed year, and how far we’d come. It’s
that passage of years analysis. The
wines exemplified it. 1992 Wynns ‘Black
Label’ and the flagship ‘John Riddoch’ Coonawarra Cabernet Sauvignons. No contest surely? But then again, it wasn't supposed to be one,
but rather, just a comparison.
The
1992 Wynns ‘Black Label’ Coonawarra Cabernet Sauvignon was on its plateau,
maybe near the end of that phase and just beginning the gradual decline. Savoury blackcurrants and olives, and a touch
of cedar. No mintiness as a sign of
Coonawarra. Quite open if not loose in
structure and mouthfeel. Exactly as it
should be after two decades plus for a ‘commercial’ wine. Tannins a little grainy, but not coarse, and
the acidity a little elevated. The fruit
still well-defined and varietal. Not a
great one, but really drinkable, accessible and food friendly.
Then
onto the 1992 Wynns ‘John Riddoch’ Coonawarra Cabernet Sauvignon. A big step up in concentration, density and
depth. Very strong extraction to match
the fruit depth. The fruit is still
supercharged. Blackcurrants, herbs and
real mint. But all infused with savoury spices,
cedar and new oak galore. The structure
dry and firm, and that 1992 acidity. A
great statement of power and winemaker input to match the best of the vineyard. It was something to admire from afar, rather
than immerse oneself into. Maybe you
could do that in another decade. Yes,
both this and the ‘Black Label’ had seen the passage of years really well.
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