On a Roll

Some situations just flow onto another, quite seamlessly, and it’s a pleasure especially in the summer holidays.  It’s a timeless scenario when everything is relaxed and life is good.  We enjoyed a pre-Christmas Christmas dinner with The Young One and Jo Lo, as well as the Mo-Ment Girl, and it was story upon story and pun after pun.  We were all on a roll.

The wines flowed easily too, but two in particular just seemed to slip down with ease, rolling along the tongue and palate.  Firstly, a favourite producer, but a new vintage, the 2013 Donnhoff Oberhauser Leistenberg Riesling Kabinett, from the Nahe, and from land less cool and precipitous than our normal fare of Mosel wines.  While many vineyards can be steep, the land can be relatively more rolling and undulating in comparison.  I see the Nahe sits between the Mosel and Rheingau in character, with a roundness, but there’s enough acid vivacity there too.   The wines have a delicious richness and weight that is enhanced when hands such as at Donhoff are involved.  A gorgeous wine that could have been the favourite of the night.

 

Then moving on to the 2011 Honour Roll Hunter Valley Shiraz, made by our friend Mike de Garis.  He’s a man with his heart still in the Hunter Valley.  Having worked there for well over a decade, you can take the man away from the Hunter, but you can’t take the Hunter out of the man, along with other Nick Nock sayings.  This is thoroughly modern stuff, elegant and supple, still youthful and primary, and somewhat innocuous drinking on first impressions.  Then you see the complex savoury nuances lurking behind.  This is a Hunter classic for sure.  And a top vintage.  We broached it far too early.  The label is a tribute to how many awards Mike’s wines have won, and no doubt his love of puns.  He keeps on making top wines and punning.       

The Taste of Summer

The arrival of summer is always appreciated with a bright outlook to the outdoors lifestyle and all the trimmings with it, including delicious berry fruits, melons and tropical fruits.  There was a compunction to put the bottle of 2004 Moet & Chandon Champagne Vintage Rosé into the fridge to chill down.  Family and friends arrived, brunch served on the table, and out came the cork!  Soft strawberry pink with a little light-red, fine mousse streaming up through the wine to the top of the glass, carrying with it the aromas of red summer fruits and soft brioche and croissants.  Softly refreshing with just a hint of sweetness and succulence, perfectly countered by fine acidity.  Very little phenolic grip.  All judged perfectly to slip down effortlessly.  I don’t even want to be critical and say there’s no great complexity, nuance, blah blah blah.  This was just a delicious bubbles to celebrate the sweetness of life and a foretaste of summer.

Bordeaux Balance and Perspective

I must admit all around me it’s Pinot Noir, Pinot Noir, Pinot Noir, and maybe a little Syrah.  It’s the country we live in, and Pinot Noir is the most widely planted red.  And of course Syrah is tipped to be the next best thing.  It wasn’t always like that, and in the bad old good days of yesteryear, the king of the reds was Cabernet Sauvignon, because it was the majestic basis for the world’s best wines, the great first growths of the Bordeaux.  Merlot was second rate then.  But things changed, and Merlot got promoted, primarily because of Petrus, the Moueix family and Pomerol.  Then we realised that here, in our maritime climate, the Bordeaux varieties just don’t ripen as consistently as Pinot Noir, thus Cabernet and Merlot began to lose favour – quickly

There’s only a little buzz about Cabernet and Merlot at present, but that’s going to change with the 2013 Hawke’s Bay wines coming on stream.  We may see a revival, and a return to an appreciation of these varieties from a global perspective and balance.  These are the varieties and wines which still dominate the fine wine scene for the world.  And in New Zealand, Te Mata have kept the message going.

The 2005 Te Mata ‘Coleraine’ is a wonderful ambassador for Cabernet and Merlot, with 45% of the former and 37% of the latter.  There’s also 18% Franc.  It restores one’s faith in the Bordeaux style of wines in a Burgundy-obsessed situation.  Still dark as, and young, then a stupendously beautiful array of black fruit aromas, just beginning to go beyond blackcurrants and cassis, to include rich plums, earth , cedar, redcurrants, and herbs.  Gorgeously sweet and decadent, contained and bolstered by magnificent structure and extraction.  But everything in balance, and with a richness that lends opulence with supple accessibility.  Cor, I could drink this all night.  We all did and enjoyed it to a man (and woman).  There’s another decade left in this wine, and SWMBO and I are pleased we have some more…  

White Burgundy Snobbery

As wine aficionados we all want to drink the most highly rated and regarded wines we can choose.  And of course we enjoy them.  Why would we prefer drinking a wine of lesser provenance when we can avoid it?  It’s a fine edge doing so and acting a bit snobbish, to be seen to prefer the so-called better wine when in reality the not-so-highly rated wine is actually the better drink.  I admit I’ve fallen into that trap on more than one occasion.

The situation appeared again, in the company of the Ravellers and the Roaders, who know their wines really well.  SWMBO and I were the guests, and we all wanted to put up some wines to enjoy, if not impress just a little!  First up was a 2012 Domaine Saumaize-Michelin Pouilly Fuisse.  Sure enough a decent white burgundy from the Macon.  Good honest fare without pretension, but real white burgundy nevertheless.  This was fresh, light, fruit-focussed, clean, and delivered all that you wanted in a southern country wine.  In fact, quite modern and maybe a good, leading example.  The Ravellers were pleased we all liked it.

Then served blind was a 2005 William Fevre Chablis Grand Cru ‘Les Preuses’.  A strong wine, clearly mature and needing drinking.  Plenty of weight and softening.  More Cote de Beaune as the flint, steel and acidity didn’t shine through.  My guess was a Meursault with more than a decade on it.  Signs of nutty oxidation, not necessarily premox, but more bottle development with cork losing its sealing qualities a tad.  We all sensed it was supposed to be a goodie, but we all knew it wasn’t the best of the two white burgundies.  Once we knew what it was, (SWMBO guessing correctly) we all took another glass and tried to find the goodness that should have been there.  Then we enjoyed drinking the Pouilly Fuisse.     

Revelling in Rioja

Most of us don’t get the opportunity of tasting and enjoying a wide range of wines all the time.  My diet and that of SWMBO is focussed on local fare, and that’s pretty good and exciting in itself.  What we’d like to try more often are the classics and the greats of the world, but the cost is prohibitive and the availability is lacking.  Whenever we’re grace by the presence of The Chairman, we make an effort to source something classical, but often with a difference.  We don’t mind spending a bit of dosh, as he’s a man who is worth it!  But if there are wines that happen to be more accessible, then all the better.

I do come across Rioja every now and then, and I wish I could do more.  The historical connection with Bordeaux is still evident in the elegantly proportioned, well-structured top-end Reservas and Gran Reservas, but the wines are unique in richness, warmth and sweet ‘n savoury fruit and oak.  And across the board, and up and down the tiers, they still offer great value.  Of course there are the super-premium ‘look-at-me’ wines that are exorbitant in price, but you can miss them out and not lose anything in the appreciation of the genre.  Tasting two rather good examples, I know I should be revelling in Rioja. 

 

Coming up first was the 2005 Marques de Murietta ‘Castillo Ygay’ Rioja Gran Reserva, a vigorous and robust wine with up-front flavours, still with plenty of black fruits, the sweetness appealing, and working with the oak.  The extraction is serious here, but in an open way.  This had grunt and power, and modern in its approach, while retaining all that Rioja stands for.  I felt that anyone from around the world would instantly recognise it for what it was.  It’s a Gran Reserva for its fruit richness that has enabled plenty of extract, as well as lavish oaking, and it has captured power.  Delicious stuff that will drink well over a decade. 

 

Then the 2004 CVNE ‘Imperial’ Rioja Gran Reserva.  Highly touted as a ‘Wine of the Year’ for an influential American wine magazine, and seemingly more evolved in character with earth and dried herb flavours.  Remarkably elegant too, being more slender than the Murietta.  But then, the tannin extraction kicks in and builds and builds, becoming more refined in time.  As one sipped on this, the concentration and detail grew.  This is your classic claret structure and style.  The Rioja with its red Tempranillo fruits and, sweet and savoury oak still there, but tightly bound within its grip.  Still with fruit balance, this will go the decade plus.

I must go out and buy some more…       

Stemming from Stemware

We all know how subjective wine tasting, assessment and even enjoyment can be.  The myriad of influences on how we perceive a wine takes it far away from science and into the realms of art and philosophy.  Surely some of the simplest things are the situation you are in, the people around you, bottle variation and the glasses you drink from.  Any thought, let alone investigation into any of these factors will open a can of worms. 

 

This was borne out by two bottles of 2012 Yves Cuilleron Condrieu ‘Chaillets’ served only 5 days apart.  The bottles came from the same box, from the same shop, purchased because it’s a classic expression of Condrieu and Viognier that is great for sharing for the sheer love of it.  The first on a Sunday afternoon, sunny and bright, with The Real Mr Parker and friends.  We drank this out of tulip-shaped glassware, poured straight from the bottle.  This was sensational in its aromatic beauty, with exotics galore.  Lovely rounded, smooth and unctuous in texture, just oozing opulence.  We all just sat back and admired it, sipping a little more quickly than we should have. 

 

The next at a fine dinner in the evening in fine, plush surroundings, that you’d be as happy as a hippo there.  SWMBO, The Young One and The Youngette, The Chairman and The MoMent Girl all therecomfortable as could be, sinking into the comfy chairs, and everything delivered with aplomb.  This bottle decanted and served in bowl-shaped stemware normally used for Chardonnay and white burgundy.  This bottle startling in difference.  Shyer in aromatics, but definably Condrieu and Viognier.  The structure, phenolics and textures to the fore.  Quite grainy to drink, and when the poultry and seafood came out, it the wine came into its own.  The combination of food and wine smoothing out the grip and intensifying the aromatics to show stonefruit cut.  A different beast to the one 5  days earlier.  The difference I determined stemming primarily from the stemware.

German Invasion

The Germans are coming.  That was the fear in Britain three-quarters of a century ago.  With regard to Riesling and Pinot Noir in New Zealand nowadays, it would be a welcome invasion.  New Zealand has become pretty adept at making very smart, clean, fruity Rieslings and Pinot Noir that look good in the modern world.  But where do we head from here?  How do you make wines that are a little different, offering more interest, complexities and textures?  Some of our makers are already doing it with Riesling, with indigenous yeasts, botrytis, lees work and even some oak.  But how do we make Pinot Noir that is still classic, but not too classic as in Burgundy?  It has been touted we can take the wines of Germany as models for our future.  The F-Man, who is one of these supporters of the German styles opened a couple of wines to show us why.

Firstly a 2012 Clemens Busch Pundericher Marienberg GG Mosel Riesling Trocken.  13% alc., and showing wild yeast and a touch of botrytis, with lees work.  Typical of the new wave dry Rieslings at the top level in Germany.  More yellow in colour, aroma and taste, rather than citrus and white florals.  Dry for sure, but with richness, lusciously ripe fruit and plenty of fruit weight.  Not overdone in the phenolics at all, and quite soft acid.  The spread of flavours revealed complexing layers of reduction, honey, caramel and flint.  Complexity plus plus.  SWMBO and the Mo-ment Girl were impressed.  I had thoughts that this is where Pegasus Bay is headed to.

At this year’s Pinot Noir Celebration, a guest speaker saw the connection between New Zealand and German Pinot Noir rather than with the Cote d’Or.  She was poo-pooed of course, as we all want to make grand cru, or at least 1er cru burgundy, don’t we?  The 2012 Wittman Westhofer Spatburgunder Trocken Rotwein was a fulsome 13.5% alc.  Good colour, and a bouquet that would sit in among the clay-soiled Pinot Noirs from Nelson or Marlborough.  Westhof has clay soils too, with some limestone.  So all good there for a valid comparison.  On the palate more even, soft, rounded and maybe more forward.  Our wines hold the palate fruitiness better?  Nevertheless quite easy and deliciously so.  This is no weak example as German Spatburgunder was in the past.  It’s good clones, vineyards, experience and maybe climate change which makes wines such as the Wittman particularly exciting.